The Library In the Margin
Self-paced · Start anytime

Shakespeare’s shortest, fiercest tragedy. A brave general hears a prophecy and murders his way to a crown he cannot hold. We read the play aloud, together, act by act, watching ambition and guilt pull a good man down — and asking, in every scene, how much is fate and how much is his own hand.

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A Living Literature & Language course — the whole play, read aloud.
A full feast
Literature · Language Arts · Nature Study · Art, Music & Poetry
The Shape of the Term
Fifteen weeks, read aloud
The living rhythm
A Read week, then a Deep-Dive week — the same rhythm all term. Each week opens with the Habit of Attention, carries a Find It · Follow It · Frame It passage and a short writing lesson.
Weeks 1–10 · Into the Dark
We read the tragedy act by act, alongside Machiavelli’s The Prince and a home book carried all term — watching the tragic question sharpen scene by scene.
Weeks 11–15 · The Culmination
Watch a production, argue the play in a debate that becomes your thesis, write one Follow-the-Thread essay, and paint a watercolor square for the class Quilt — the Tragic Heroes wall.
The Threads We Keep
Practices that run all term
  • Read aloud, togetherThe play is meant for the ear — we read it act by act, out loud, before we say a word about it.
  • The Habit of AttentionA line worth keeping and one small practice to open each week.
  • Find It · Follow It · Frame ItThe three moves of close reading, on one passage a week.
  • The Lively Art of WritingOne craft move a week — the hand and the ear, trained together.
  • Machiavelli’s The PrinceThe lens book we read the tragedy through — power, ambition, and what it costs.
  • Narration & the commonplace bookTelling back what we’ve read, and keeping the lines that stop us.
The Capstone
Follow the Thread
One character, followed to the end.
Across the last five weeks each student follows a single thread — Macbeth, Lady Macbeth, a question that won’t let go — closely enough to learn what was actually there. It gathers into a debate, a thesis, one essay, and a painted square for the Tragic Heroes Quilt.
A staged production A debate → your thesis A Follow-the-Thread essay A watercolor square · the Quilt
The Honors Path

An honors strand runs through every week — an invitation, not a requirement. A few of the ways it might look this term:

  • A deeper reading of Machiavelli beside the play — where The Prince justifies what Macbeth cannot.
  • An independent close reading of a single soliloquy — the language under a magnifying glass.
  • An extended composition that sets a second tragic hero beside Macbeth.

And it all gathers into a portfolio at the end — a record of the work a student can carry into college applications.